By Diane Ghirardo

Now available in paperback, this crucial reassessment of Aldo Rossi’s (1931–1997) architecture examines his writings, drawings, and product design, including the coffeepots and clocks he designed for the Italian firm Alessi. The first Italian to receive the Pritzker Prize, Rossi rejected modernism, seeking instead a form of architecture that could transcend the aesthetic legacy of Fascism in post-war Italy. Rossi was a visionary who did not allow contemporary trends to dominate his thinking. His baroque sensibility and poetic approach, found both in his buildings and in important texts such as The Architecture of the City, inspired the critic Ada Louise Huxtable to describe him as “a poet who happens to be an architect.” Diane Ghirardo explores different categories of structures—monuments, public buildings, cultural institutions, theatres, and cemeteries—drawing significantly on previously unpublished archival materials and always keeping Rossi’s own texts in the forefront.