By Ruth Baumeister

The Danish artist Asger Jorn (1914-1973) is internationally renowned for his activities within the CoBrA and the International Situationist groups. Quite apart from his paintings, prints, ceramics and sculptures, Jorn produced a remarkable amount of theoretical work. His ideas are still extremely relevant to contemporary discourse. However, in contrast to his artistic oeuvre, Jorn’s theoretical arguments have received much less attention from scholars of architecture, art history, or philosophy. This book for the first time reveals this largely ignored aspect of Jorn’s work.