Edited by Beatrice Lampariello, Andrea Anselmo, Boris Hamzeian

The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defence of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new “stone monuments” capable of indicating new perspectives for both research and design. Placing UFO group, one of the authors of those still poorly known “monuments”, at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom.