By Charlie Gere

Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a centre of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the centre of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatised by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality.